FAR CRY 2 TV TROPES SERIES
Playing the game on Story Mode difficulty is not the power trip that series veterans would expect enemies swarm the player and have deadeye accuracy. While wreaking havoc on the game’s playing field, players will come across more than a few issues. It’s hard to take onboard a character who could be a stand-in for real-world politics when you’re charging through a gas station, nuking everything in sight with the help of a trained crocodile. This may have been an attempt on the part of the developers to ground Far Cry 6 in some semblance of reality, but if it was, it’s run over by the game’s bonkers core loop. He’s an officious tin-pot dictator who fails in every aspect of being a father. He doesn’t boast the wide-eyed psychotic charisma that Vaas Montenegro had in spades. He doesn’t have the whacky flamboyance of Pagan Min. He’s not as skin-crawlingly creepy as Joseph Seed was. Diego’s story beats are pretty much telegraphed all throughout the narrative – the fact that he tried to run away from home before the game really gets going provides a massive clue – and so his resistance to his father’s efforts to make him a dictator-in-waiting doesn’t come as a surprise.Ĭastillo is also less outlandish than the villains of previous Far Crys.
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He just isn’t given a hell of a lot to do with the material except impress on the player what a blinkered psychopath Castillo is, while being a rather rubbish father to boot. At certain main quest points a cutscene butts into the action to remind players what an irredeemable and evil character Castillio is – while taking pains to put forward that he doesn’t see himself as a villain - but other than that, players are left to deal with his infrastructure and troops to a vivid, lethal degree.Įsposito isn’t wasted in his role. The villain of the pieceĪnd once again (in this case Castillo) the villain of the piece is established at the beginning of the game as a charismatic, malevolent individual, who then disappears for the length of a Bible. On top of that, the characters Dani comes into contact with are pretty memorable, each bringing their own take to the guerrilla party be they a band of disillusioned old-timers on a hill, a group of young, tech-savvy miscreants on the frontline, or Libertad, who view themselves as Yara’s best and only solution against the country’s big bad, who is woefully underused. Unlike previous protagonists in this series he (or she) is rather well written, and due to the fact players aren’t inhabiting a character that is a blank slate, they’ll come to invest in Rojas over time as more than a walking slaughterhouse. As they blast, cut, and bomb their way through Castillo’s forces, players will earn currency, level up, craft upgrades, and unlock and be able to purchase weird and whacky weaponry, making Rojas an ever-more efficient killing machine. From road checkpoints to anti-aircraft sites to forts to enemy outposts varying in the description, this game has myriad side activities and quests to keep completionists occupied.
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This is the main reason Far Cry 6 will appeal to players who have bought into – and want more of – this scenario.Īnd they get it Far Cry 6 boasts a massive map filled with targets ready for clearing. They start on the back-foot against a villain in charge of a fiefdom and they slowly work towards taking them out one gun battle at a time. Rojas is part of a guerilla force aimed at toppling a dictator, but in truth, that’s all players have been in this series since Vaas Montenegro kidnapped Jason Brody and his fellow bro tourists back in Far Cry 3. From there it’s a hop-skip-and-a-jump into the Far Cry template present an exotic and massive environment, establish a colourful villain to loom large over the proceedings, and then toss the players some weapons and let them get on with establishing themselves as the alpha in an insane world. The reason for this is that Yara is ruled by a ruthless and insidious dictator named Anton Castillo (played Giancarlo Esposito), whose vision for his country is so ironclad in its zeal that killing civilians, slavery, and stripping away human rights are simply the costs of doing business.Īfter a failed escape attempt – in which it is revealed that even Castillo’s own son, Diego, wants out of his father’s dictatorship – Rojas lands up doing work for the local resistance movement, Libertad. Players are plonked in the boots of Dani Rojas, a citizen of the island nation Yara, who is desperate to up sticks and head off to the USA.